How to Learn the Basics of Good Camera Work

By eHow Electronics Editor

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When you master these simple preliminary guidelines, your videos will look much more professional. The first step is learning how to hold the camera steady. You will probably have better luck steadying an optical viewfinder camera than an LCD camera.

Instructions

Difficulty: Challenging

Steadying an Optical Viewfinder Camcorder

Step1
Hold an optical viewfinder camera steady by using both hands to support it when you are shooting tape.
Step2
Put your right hand into the camera strap, which is usually attached to the lens.
Step3
Put three fingers of your left hand on the bottom of the camera.
Step4
Arrange the fingers into a three-point support: thumb toward the rear of the camera, index and middle finger toward the front.
Step5
Move yourself closer to the action rather than using your zoom lens to zoom in on a telephone shot.
Step6
Avoid walking shots. But if you have to walk while shooting, practice gliding rather than walking stiff-legged.

Steadying a Mini-Screen LCD Camcorder

Step1
Tuck both elbows into your abdomen.
Step2
Take a deep breath before shooting, and hold your breath while you shoot.
Step3
Always shoot at the widest possible focal length (zoom setting) to minimize camera movement.
Step4
Avoid walking shots, and brace yourself against vertical surfaces whenever possible.

Developing a Good Shooting Style

Step1
Focus your attention on the event you are covering.
Step2
Learn how to judge when the "good stuff" is going to happen, and be ready to roll tape immediately when it does.
Step3
Fill your viewfinder with picture information.
Step4
Don't force camera movement by doing pans or tilts when they add nothing to the scenes you are taping.
Step5
Plan the next shot you are going to take.
Step6
Avoid taking a shot with a large empty frame surrounding a small action area in the center of your picture.
Step7
Limit the length of your scenes if the action slacks off. Don't include long sequences in which nothing is happening.
Step8
Alternate between wide shots, medium shots and close-ups as you shoot tape.

Tips & Warnings

  • Use the strap on the lens for your right hand.
  • You can sometimes alternate between a wide shot from one vantage point and a wide shot from another vantage point, in order to break up your shooting into a more interesting result.
  • If you are dressed in good clothing, always inspect a vertical surface you want to lean against so you don't damage your fine duds.

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Anonymous

Anonymous said

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on 8/11/2006 Some DSLRs are notoriously slow between shots, especially in lower light conditions, so I ran a couple of test shots to determine light levels, range etc, then turned off the "view image you just shot" feature. That's at least 1.5 seconds saved every time, which can be significant.

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on 8/11/2006 I needed a diffusing backdrop to cover a large patio window which was facing the sun. I couldn't afford the expensive commercial versions, so I bought some translucent plastic shower curtains for a $1 each. These already had built-in holes at the top, so I just strung them up. When the sun got really strong I simply layered more shower curtains over the first one. Just watch the length though if you're shooting a mode, full-length.

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on 8/11/2006 When using the movie capability of my new DSLR recently, I found that by shortening the supplied strap I could hold the camera taut and still comfortably see the rear viewing LCD screen while panning to capture the action. Absolutely shake-proof at the price of a slightly sore neck, but at least I got the picture!

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on 6/30/2006 Turn off auto-focus. The motor that changes focus is always jittering this way and that, and motors use up a great deal of current. You can use auto-focus to set up initial focus, then turn it off. Only rarely will shooting conditions require a constant refreshing of focus. Auto-focus can also be "fooled" by certain conditions, depending on the technology used. Learn how to manually focus and practice with it; the results are often better than auto-focus. If you have the ability, set the camera to aperture priority and use a high f-stop (smaller aperture). A smaller aperture gives a greater depth of field (area in focus), making adjustments less necessary. For general shots, set focus just inside of infinity to include the greatest depth of focus. Use a wide aperture (low f-stop number) only for low-light or fast-moving subjects (wide aperture here compensates by shortening the exposure time per frame) or figure-ground separation.

Use a tripod or handy steady surface. Some cameras achieve "Steadi-shot" by using a motor to make fine adjustments of a mirror or prism in the optical path. Reducing the need for this motor to work saves battery power. Other cameras do not use a motorized arrangement so will not benefit from this technique, except that it's a good idea to keep your shots as steady as possible anyway as a general rule.
If your camera has a built-in light, use it only when absolutely necessary. Compensate by widening the aperture, using diffusive light reflectors such as a white vehicle, bright wall, white poster board or sheet, or reflective "hoops" made for this application, or re-composing your shot to take advantage of available light.
Keep an eye on battery level and change out before it dies, at a time convenient for you. This doesn't save any battery power, but it could save an important shot. Keep even "dead" batteries handy. They often have a bit more life in them after "resting" for awhile. It's not much, but it could be important to you.
Keep your batteries warm (but not hot). Cold batteries are less efficient and you won't get the power you expect out of them. Body heat from a shirt or pants pocket works well and keeps your batteries handy.

Treat your batteries right. If you fully discharge a sealed lead-acid battery, there's a good chance you've "killed" it. On the other hand, it is necessary to completely discharge nickle-cadmium (Ni-Cad) batteries every so often in order to erase the recharge "memory effect" that prevents full charging. Newer technology batteries such as nickle-metal-hydride (NiMH) and lithium ion (LION) are fine either way. Be sure to recharge or "top off" batteries before going on a shoot -- even fully-charged batteries "bleed off" their charge while unused. Use the proper recharger for your battery type, or risk ruining your battery. Rechargeable batteries can age and can wear out and will need replacing. Buy an extra couple of batteries and rotate them through your equipment.

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eHow Article:  How to Learn the Basics of Good Camera Work

eHow Electronics Editor

eHow Electronics Editor

Category: Electronics

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