What Does the Term Suspension of Disbelief Mean?

Writers and critics often use the term "suspension of disbelief" to describe a phenomenon in fiction and drama. It may be confusing to those hearing it for the first time. However, it remains a vital element in the creative process. Without it, any work of fiction---book, movie, play or otherwise---simply will not function.

Origins

As a term, suspension of disbelief was first coined by Samuel Taylor Coleridge in his 1817 book "Biographia Literaria." He spoke of the need for it in deriving the truths that fiction can often present.

Basic Problem

The issue centers around one's knowledge that one is reading or viewing a fiction. You see actors on a screen or stage, or read words on a book knowing that they're not true, disbelieving the scenario.

Solution

The solution to obvious disbelief is a willingness to suspend it for the sake of drama. Though you may know that the story is made up and that you're just watching actors on a set, you choose to accept it for the sake of the story.

Benefits

By suspending your disbelief, you not only allow yourself to enjoy the story, but you open yourself up to its greater truths. Though the story might have never happened, it could have happened, or at least the human emotions and reactions on display are in keeping with what you know about human nature.

Challenges

In order for suspension of disbelief to work, the author or creator must ground his scenario in a certain logical and emotional plausibility. Even the most fantastical scenario must contain such elements, otherwise the audience won't be willing to suspend its disbelief.