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How to Write Coverage on a Screenplay

Member
By clcoyne
User-Submitted Article
(1 Ratings)

A common component to the interview process in the film industry in Los Angeles is to have applicants write what is known around town as "script coverage." This practice consists of reading a screenplay, then summarizing and analyzing its different elements. Good coverage writers are considered valuable commodities around town and always have a leg up on competition when it comes to getting a job.

Difficulty: Moderately Challenging
Instructions

Things You'll Need:

  • Screenplay
  • Computer
  • Pen
  1. Step 1

    Before you can critique a script, you better have a solid understanding of the many elements that comprise a screenplay. So, give the screenplay a thorough reading in an environment that allows your undivided attention to be focused on the material at hand.

  2. Step 2

    While reading, make any marks and/or comments you find necessary in the margins of the script that will jog your memory later as you breakdown the various components of the screenplay.

  3. Step 3

    Upon completion of reading, first write a synopsis of the story. Only include major events, characters and storylines in the summary. However, be sure to include vital characteristics such as time period, genre, location, etc. Also, make sure this portion of the coverage is written in an entirely unbiased, objective tone. Remember, you are only relaying facts at this point.

  4. Step 4

    Write your own analysis of the story. Here, it is impossible to remain completely objective, as personal biases naturally emerge. Include both the strengths and weaknesses of the writing. Make sure to comment on plot, characters, character development, story arc, tone, feel, similarities to other films, marketability of project, humor, dramatic effect and overall writing style.

Tips & Warnings
  • Be honest. Some scripts are good and some scripts are bad. However, keep in mind that no script is without any merit and that no script is perfect.
  • Include in the analysis areas for improvement.
  • Coverage exists so many upper level producers and agents do not have to read the entire script. So, in order to help them understand this project, include examples of popular movies sharing common themes, elements or tones.
  • Always find out the relationship between who you are writing coverage for and the writer of the screenplay. If it is your boss' daughter's first script, you may want to take that into consideration. Feelings can get hurt easily when it comes to having one's work evaluated.
  • Never try to act like you know everything. Your opinions are your own and art cannot be viewed, or read in this case, objectively.

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