How To

How to Transfer Images to Stone or Metal Using Liquid Light

By eHow Hobbies, Games & Toys Editor
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A three-dimensional surface can take on a new look with the right superimposed image. This technique will allow you to transfer a photographic image using Liquid Light and a darkroom.

Difficulty: Moderate
Instructions

Things You'll Need:

  • Brushes
  • Spray Polyurethane Finish
  • Stones Or Piece Of Metal
  • Acrylic Matte Medium
  • Gesso (if Desired)
  • Rubbing Alcohol (if Needed)
  • Watercolor Paper
  • Darkroom Equipment
  • Photo Negatives
  • Safelights
  • Liquid Light
  • tub, bucket or pan

    Prepare the Surface

  1. Step 1

    Choose your stone or piece of metal. Keep in mind that an image will show up better on a light surface - and that, for this technique, you'll need a relatively flat surface.

  2. Step 2

    Prepare the surface: Wash or wipe it down; scrub it if necessary to remove loose particles. Degrease it with rubbing alcohol if necessary.

  3. Step 3

    Coat a metal surface with two coats of spray polyurethane - front and back - and allow it to dry fully to seal the surface and prevent it from rusting.

  4. Step 4

    Coat a stone surface or sealed metal surface with two coats of acrylic matte medium - front and back - and allow it to dry fully.

  5. Transfer the Image

  6. Step 1

    Heat the Liquid Light by placing the sealed bottle in a tub, bucket or pan of hot water. (It will begin to re-congeal if the temperature falls below 80 degrees F.)

  7. Step 2

    Pour some Liquid Light onto your target surface area under safelight conditions in the darkroom, and spread it around using a brush.

  8. Step 3

    Make several test strips at the same time by pouring Liquid Light onto watercolor paper.

  9. Step 4

    Allow to dry in complete darkness for several hours. (The surface will be "good" for at least a week - check the bottle to be sure.)

  10. Step 5

    Expose the image as you would a normal photograph - that is, test until you get optimum exposure time for your image.

  11. Step 6

    Develop, fix and wash as usual - but you may need to modify your developing and fixing trays depending upon the shape of the object you're printing on.

  12. Step 7

    Allow to dry fully. A piece of metal will probably dry in an hour or two; a porous rock may need to dry overnight.

  13. Step 8

    Seal with clear polyurethane or acrylic matte medium.

Tips & Warnings
  • Once Liquid Light dries, it can be handled like any commercial photo-sensitive paper - i.e., exposed, developed, fixed and washed. The main difference is that the emulsion is 10 to 20 times slower. For example, if you have an image that is normally a 15-second exposure, with Liquid Light you're looking at a 150- to 300-second exposure.

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