Making a good black and white print is more than developing film; photographers labor over contact sheets, time strips, paper, and chemicals. Learn to make a good photography print in a darkroom and beyond in this free photography video series.
There are 39 videos in this series:
Picking images from your contact sheet is an exciting part of photography, deciding which images are the best. Learn to select images from a contact sheet for printing in a dark room in this free photography video.
Keep the emulsion side of the negative on the emulsion side of the carrier for good prints. Learn to load a 35mm negative carrier to make a photographic print in a darkroom in this free photography video.
Flip your negative vertically when loading into a negative carrier. Learn to load a medium format negative carrier to make a photographic print in a darkroom in this free photography video.
Enlargers in darkrooms shine light through a filter and the negative to make a print. Learn to stage an enlarger to make a photographic print in a darkroom in this free photography video.
Set up your easel carefully to get a straight print in the darkroom. Learn to set up an easel to make a photographic print in a darkroom in this free photography video.
Photographers, keep your photo paper safe and in the box under white light. Learn to handle photo paper to make a photographic print in a darkroom in this free photography video.
Photo paper can be stored in a box or paper safe, and the plastic bag inside is light-tight. Learn to store photo paper to make a photographic print in a darkroom in this free photography video.
Test strips help photographers select the enlarger settings to make a print. Learn to use a test strip to make a photographic print in a darkroom in this free photography video.
Keep in mind filter, f stop, and the exposure time when analyzing a test strip print. Learn to analyze a test strip of a photographic print in a darkroom from a professional photographer in this free photography video.
The darkroom can seem magical to photographers, but the science and chemistry is important to understand. Learn to work through mistakes to make a photographic print in a darkroom in this free photography video.
When working in a darkroom, remember to reset the f stop if you refocus the enlarger. Learn to reset the f stop on an enlarger to make a photographic print in a darkroom in this free photography video.
As a photographer, make your prints visually stunning with darkroom experience. Learn to compare your prints to make a good photographic print in a darkroom in this free photography video.
Subtle contrast and visual elements in a photo make a good print great. Learn to make a photographic print in a darkroom in this free photography video.
Develop your prints with details in the blacks and whites, keeping enough contrast and solids. Learn to develop details in blacks to make a good photographic print in a darkroom in this free photography video.
Dodging in photo development is covering the light from the enlarger in quick increments to lighten the image. Learn to use a dodging tool to develop photographic prints in a darkroom in this free photography video.
Burning in photo development requires covering most of the image to darken a part of the image. Learn to use a burn tool to develop photographic prints in a darkroom in this free photography video.
Filed out negative carriers are called "sloppy" and have a black line around the photograph. Learn to decide between sloppy or non-sloppy when developing photographic prints in a darkroom in this free photography video.
Pay attention to your fixers when developing film to keep from getting bad fix. Learn to avoid bad fix when developing photographic prints in a darkroom in this free photography video.
Developing large prints in the darkroom gets expensive with paper and chemicals. Learn to choose print size when developing photographic prints in a darkroom in this free photography video.
Start with a contact sheet when making prints and work up in size. Learn to choose print size when developing photographic prints in a darkroom in this free photography video.
Photographic prints take longer in the enlarger at bigger sizes. Learn to figure the time involved in developing photographic prints in a darkroom in this free photography video.
Toy cameras can give your prints a dreamy, soft look because of the plastic lens. Learn to develop photographic prints from toy cameras in a darkroom in this free photography video.
Photographers use resin coated paper often because it is cheaper and easier to work with than fiber paper. Learn to choose paper when developing photographic prints in a darkroom in this free photography video.
Fiber based paper will tone better than resin coated paper. Learn to use sepia to develop photographic prints in a darkroom in this free photography video.
Many photographic print toners, like sepia and selenium, can be toxic but beautiful. Learn to use toners to develop photographic prints in a darkroom in this free photography video.
Photography is the practice of making images by exposing film or another medium to a timed flash of light. The basic equipment used for photography has changed dramatically in the last decades, many people finding digital photography an inexpensive and creative hobby. We use photography as a means of communication worldwide: to sell things, to tell stories, capture memories, evoke passions, fight for causes, make new meanings, and inspire the imagination. Mastering the art of photography is a technical and challenging experience. Even with an automatic, digital camera, one has to learn how to frame a shot, choose a background, interact with the subject, use natural light, and select the right supplies and tools.
Anthony Maddaloni teaches you how to make a good black and white print in this free photography video series. You will learn just about everything about taking your contact sheet and ending with a good print. Anthony covers loading negatives in the carrier, choosing images from the contact sheet, adjusting the enlarger and more. You will learn how to select and store paper, how to choose which image to run with, how to use a timer, a lens, a filter. Seriously, new photographers will learn so much! Anthony also gives real professional tips on practicing, using toners, storing your portfolio, and spotting and pressing finished prints. It is all here!
Anthony Maddaloni Anthony Maddaloni is a professional photographer from Austin, Texas. A New York native, he moved to Austin 10 years ago after graduating from Purchase College in New York. He has worked as a photographer for the Texas Senate, the Texas House of Representative's, and the University of Texas. Michael has taught black and white darkroom for the University of Texas, School of Architecture, as well as the Dougherty Art School in Austin, Texas.dkdk
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