So now that we have our minor two-five down, we can go through and play some minor three-six-two-five licks, so we can do like E. Oh wait, we started at F, right. F seven half diminished, B altered, E, A seven, right. F sharp to B altered, E, A, F, B, B to A, F, B, B, A. And you get what is called a three-six turnaround, or a three-six-two-five turnaround, where you go from three, D, E, F, to six, D, E, F, G, A, B, three, six, and then two to five. And you see this in jazz all over the place. So you want to go through it and get those down in all twelve keys as well. Your three to your six and then your two, five. So those are just two more chords we're adding to the mix, and we're going to use those as we go our bebop tunes.