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Studies for Right Hand Playing Techniques for Classical Guitar
Alternate Finger Planting for Classical Guitar
PIA & PIM Finger Techniques for Classical Guitar
Ascending Arpeggios for Classical Guitar
Descending Arpeggios for Classical Guitar
Allegretto One Song for Classical Guitar
Allegretto Two Song for Classical Guitar
Allegretto Three Song for Classical Guitar
Allegretto Full Song for Classical Guitar
C Major Scales for Classical Guitar
Closed C Major Scale for Classical Guitar
Two Octave C Major Scale for Classical Guitar
Scottish Dance One Song for Classical Guitar
Scottish Dance Two a Song for Classical Guitar
Scottish Dance 3 Song for Classical Guitar
Scottish Dance Full Song for Classical Guitar
Waltz in G for Classical Guitar
Waltz in G Variations for Classical Guitar
Playing Waltz in G for Classical Guitar
How to Play Waltz in G for Classical Guitar
The Full Waltz in G for Classical Guitar
A Natural Minor Scale Classical Guitar Exercises
A Minor Closed Scale Exercises for Classical Guitar
Harmonic Minor Scale Exercises for Classical Guitar
Harmonic Minor in 5th Position Exercises for Classical Guitar
Melodic Minor Scale Exercises for Classical Guitar
Closed Melodic Minor Scale Exercises for Classical Guitar
Double Octave Harmonic Minor Scale Exercises for Classical Guitar
Double Octave Melodic Minor Scale Exercises for Classical Guitar
Triple Octave Harmonic Minor Scale Exercises for Classical Guitar
Summary: Learn about PIA and PIM finger techniques for classical guitar in this classical guitar video.
John Armstrong has been teaching guitar at Keller Music for over 15 years now. He has played with countless musicians over the years, and in bands ranging from classical ensembles to...read more
"Hi my name is John Armstrong with expertvillage.com and today we would be starting intermediate classical guitar. Alright at the next one is another one of the Giuliani 120 Studies for the right hand in this particular exercise we are alternating between planting P,I, and A and then P,I, and M once again we are going back and forth between our C and G7 chords. This is a ascending arpeggio patterns so all three fingers in each triplet, in each group of three notes would be planted. For example the 1st one you are playing P, I and A. Applying downward pressure and then releasing that. Next P,I, and M. Back to P,I, and A. P,I and M. Same thing with the G7 chord P, I and A. P, I, M,P, I, and A, P, I, and M. Notice on the G7 chord all the 3rd triplet we drop down and we play the G note we be playing the G with the thumb. So it is a little different on that measure there. Put it all together. Remember to apply that downward pressure into the string, releasing the pressure as you roll out the arpeggio planting throughout. "
eHow Article: PIA & PIM Finger Techniques for Classical Guitar
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