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Step 1
Remember the Three C’ s: Conflict, Characters, and Conversation.
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Step 2
Conflict, Conflict, Conflict. Most drama teachers will tell you that you can never have enough conflict. The more conflict, the better the play will be. Some examples of conflict include domestic issues (divorce, spousal abuse, death of a family member, sibling rivalry, etc.), societal issues (racism, political views, work place conflict, etc.), and religious issues (Catholicism vs.. Protestantism, Christianity vs.. atheism, Christianity vs.. Islam, etc.).
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Step 3
Character development. Characters must be interesting and believable. Be consistent with your characters. Example: if a character starts out as a peacemaker, they shouldn’t become a trouble maker later in the play.
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Step 4
Conversation. Dialogue is the most important part of a play. When the dialogue is engaging, the audience will respond. The character should be able to convey what is happening by their dialogue. Avoid too much stage direction. Let the audience figure out what is happening by the characters’ dialogue.
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Step 5
Setting. Research is essential when writing a historical play or when you are unfamiliar with the subject of the play. The writer should be familiar with cultural customs and dialects that he/she intends to base the play on. Example: When writing a play that is based in the slums of London, the writer should incorporate the Cockney dialect into dialogue in order for the setting to be convincing.














Comments
goosemuffin said
on 10/1/2009 Very interesting article, I enjoyed it very much. Thanks and 5* for you!
roseanne09 said
on 10/1/2009 Excellent steps to learning the art of playwrighting. 5*