How To

How to Make Money With Recording Equipment

Contributor
By Robin Stephenson
eHow Contributing Writer
(0 Ratings)

The digital age has afforded many home studio musicians the luxury of being able to make recordings of considerable quality without having to set foot in a professional recording facility. Whether the recording platform is computer-run software or a standalone digital hard disk recorder, once the learning curves are mastered and experienced is garnered, many musicians discover that they can use their equipment and ability to record other players for financial gain. It's not a get-rich-quick scheme by any means. Even major studios often have to fight for economic survival, but with a little effort, it is possible to use your recording equipment to make money.

Difficulty: Moderately Challenging
Instructions

Things You'll Need:

  • Quality recording and mixing facilities
  • Business cards
  1. Step 1

    Make a list of all your equipment. Then honestly evaluate your gear and its capabilities so you can accurately target your potential customers and tailor your facilities to their needs and expectations. Take into account the available space you have. If your studio is a small spare bedroom, it's unlikely that you'll be able to accommodate a full band with a drummer, so you'll need to be clear about such details in any advertising you do. Making claims that you can't live up to, or facilities and services that you can't deliver, will sour your reputation quickly, so be realistic.

  2. Step 2

    Place ads in the local press, advertising your services as a producer of demos. If your space is limited, target solo artists and duos. Make sure you take advantage of free advertising in local publications, and free online sites like Craigslist to get the word out. You may be able to make even more money if you're a capable, all-round musician by offering your services as a session player to augment the instrumentation on artists' projects.

  3. Step 3

    Go to local gigs and ask the bands and artists if you can set up your gear and record a song or two for them. Take a feed directly from their soundboard, and also set up a couple of ambient condenser mics in the venue. This way you can import the tracks from the mixing board and also have a recording of the sound as it comes off the stage. This will also give you a little atmospheric crowd noise to work into the mix. When you've mixed to your satisfaction, give the artist a copy of one song, and offer him a price on the recording of a full show. You may have to do a few freebies this way, but the contacts and the experience gained will be invaluable.

  4. Step 4

    Approach karaoke bars and ask if you can record the performances. Burn copies of the recordings on-site, and then offer them for sale to the performers. You may have to give a percentage to the venue, but it could still be lucrative, especially when you consider the sheer number of people willing to get up on stage at these events.

  5. Step 5

    Record your own music and sell your recordings. Using your own equipment to record, mix and distribute your own tracks. Since you own the gear, your recording expenses are minimal, and you can order short-run CDs to sell at your shows and enjoy a big profit. Even if you're not a gigging musician, you can still record your songs and sell them as downloads at an online store like CD Baby (see Resources below). Without the cost of making actual CDs, your costs will be even less, so that even with a small percentage paid to the retailer, the profit margin will be major.

Tips & Warnings
  • Recording software is quite affordable and within reach of many bedroom musicians. What isn't as easily obtainable is the experience and skill required to make quality recordings. Make the most of any experience and production credits you may have when selling yourself. After you've worked with a few happy clients, your reputation will grow, giving you more credits for the resume. Go where the musicians are. Go to local live music venues and network with the artists who perform there. Pass out copies of projects you've worked on, and leave them a business card.
  • Don't work without a written agreement. This way there will be no surprises. All clients will know how much money is to be paid (and when) in order for them to receive their master recordings. Conducting these transactions in a business-like fashion from the beginning will save you from embarrassing and costly misunderstandings.

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