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Step 1
In the key of D Minor, we can build a diminished chord on the leading tone from the melodic minor scale. The leading tone is degree seven. In the case of D minor, the leading tone is C#. A diminished seventh chord built on C# is: C# (root),E (minor 3rd),G(diminished 5th),Bb (diminished 7th)
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Step 2
Respell the C# diminished seventh chord using E as the root. Note that C# is now enharmonically spelled Db. E,G,Bb,Db This chord is now the leading tone chord in the key of F minor.
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Step 3
Respell the C# diminished seventh chord using G as the root.G,Bb, Db, Fb .
This chord is now the leading tone chord in the key of A-flat minor. Notice the enharmonic respelling of C# to Db and E to Fb. -
Step 4
Respell the C# diminished seventh chord using Bb as the root. Bb,Db,Fb, Abb . This chord is now the leading tone chord in the key of C-flat minor.
Notice the enharmonic respelling of G to A double flat.
Abb = A double-flat -
Step 5
Use enharmonic respellings of diminished seventh chords to modulate to distantly related keys.













Comments
athenenoctua said
on 2/26/2009 This is good stuff. Not a lot of people are going to get this, but trust me, it's good stuff. Can you add tabulature or G-clef staff to illustrate your point? It might help some people.