How to Become a TV Comedy Writer
Breaking into the entertainment industry is not an easy task, especially for a writer. It has been stated that comedy is much harder to write than drama. This is true because most comedy comes from drama. In addition to schmoozing network executives, you need to understand TV comedy structure to become a writer.
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Instructions
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Study different, successful TV comedies. How are the gags presented? How do the characters interact with each other and the outside world? Determine the template for each show. A template is an outline that the writers follow each episode. For example, The Simpsons are a dysfunctional family that battle with problems that could potentially tear them apart but at the end of each episode they learn that staying together is what they truly need.
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Learn the structure of TV comedy. The majority of TV comedies are either a half hour single camera show (The Office) or a half hour three camera show (Two and a Half Men). Both have two acts, sometimes with a teaser at the beginning. The end of each act is right before a commercial break except for shows on premium networks such as HBO and Showtime. It is extremely important to end each act with a hook to keep the viewers watching--such as a revelation of a secret. Some TV comedies focus entirely on the main character's conflict throughout the show. Other shows follow the ABC story structure. The A story follows a main character on his journey, the B story follows supporting character stories and the C story (sometimes called runner) is a lighter story in tone.
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Write at least two spec scripts. A spec or speculative script is one that you write for free with the hope that someone will want to read and then hire you. Pick a couple of popular TV comedies and a write spec script for each. Try to pick shows that are relatively different. You want to show that you can write a broad range of comedy. Today, networks are more willing to read some original material but they will want to see how you adapt to preexisting characters and stories.
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Relocate to Los Angeles. It is possible to become a TV comedy writer in New York or Toronto, but the majority of shows are developed in LA. LA is also where most agents, producers and studio executives work.
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Make sure your spec scripts are near perfect before you submit them. Get notes from different people and learn how to take criticism. If you can find an established writer in the business, have them read your script and give you notes.
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Get a literary agent. Every writer needs an agent. They negotiate contracts and will help you find work. The best time to submit your spec scripts to agents is a month or two before December. The holidays and first of the year are the busiest time for agents. They will be more inclined to read your scripts before the busy season.
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Network every time an opportunity arises. The entertainment industry is about who you know. Attend writing events, visit the Writers' Guild (WGA), get a part-time job at a production company or call anyone you know that works in the business for guidance.
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Tips & Warnings
Do not become attached to your writing. Most TV comedy writers receive notes for changes from network executives on a daily basis.
Write spec scripts on shows that are fairly new. This will show that you can adapt your writing rather quickly. However, make sure the shows are not going to be canceled after a few episodes or one season.
