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Step 1
Determine how many stops you have underexposed your film. For example, ISO 100 film shot at ISO 200 is underexposed by 1 stop. If it's shot at ISO 400, it's underexposed by 2 stops.
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Step 2
Push your developing time by about 20 percent for a 1-stop underexposure or 50 percent for a 2-stop overexposure.
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Step 3
Extend the print exposure time as an alternative to pushing the film, because pushing film affects the negative's contrast.
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Step 4
Increase exposure time, and you may get a grainier print or poor tonal quality. On the positive side, you may also get greater detail if you intentionally underexpose the film to get a greater depth of field and better shadow detail.
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Step 1
Know how many stops you have overexposed the film. Exposing a roll of ISO 400 film at a setting of ISO 200 is overexposed by 1 stop. Exposing ISO 400 film at a setting of ISO 100 is overexposed by 2 stops.
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Step 2
Reduce the developing time by 10 percent for a 1-stop overexposure and 20 percent for a 2-stop overexposure.
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Step 3
Print images by cutting down their exposure time as an alternative to pulling the film.
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Step 4
Decrease exposure time for either negatives or prints, and you risk getting grainy prints.














