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For many years recording engineers and enthusiasts have elected to reference their mixes on a vast and often bizarre array of playback systems. When a mix engineer completes a mix in their studio environment it may cause the artist confusion and ambivalence. Just because the engineer feels comfortable with the sonic results of his work the environment is considered foreign to the artist. The most common test still seems to be taking the mix to the car for the ultimate test. It seems no matter who you talk to-if it sounds great in the car then it must be great. As music has evolved to the point at which, it's distribution seems more geared towards digital consumption, it is no doubt more accessible on "friend" sites like Myspace. I will guide you step by step through my pragmatic approach to accurately reference your mix for real-world applications. Looks like the Myspace player is slowly becoming the new car stereo.