Things You'll Need:
- A studio
- A CD "reel"
- Business card/marketing plan
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Step 1
Start at the bottom. Yes, it’s true. You’re not going to be producing U2 right off. Most producers start off as an engineer or just setting up mics around a drum set—not actually giving a lot of input on an actual recording. In this capacity, you might be able to be an apprentice to a top-flight producer.
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Step 2
A music production degree is not necessarily a pre-requisite for getting a job in a studio, but it helps. It also helps to know about different technology, both analog and digital, that you’ll learn about in a degree program. But “street knowledge”—-actual recordings—-can be just as good as a degree.
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Step 3
Set up your own studio. If money’s an issue, you can record using software, rather than buying up a bunch of rack mounts. You may start recording your friends’ bands first and then work up from there. You might have to charge a low fee, or even charge nothing, to bring in new bands. Really, the more equipment you have, the better. One band might only want to use vintage equipment, so if possible it’s a good idea to have it on hand.
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Step 4
Once you’ve got some recordings under your belt, you need to network. Create a mix CD of a number of different recordings—-soft, loud, orchestral, electronic, etc.-—so people can get a sense of your range. That is unless you want to create a niche for yourself—like being the top metal producer in the area. It depends on what you enjoy doing most of all. Recording a wider number of genres is a good idea because it will bring in more business. Don’t be a snob about certain types of music; it will pad your resume, bring in money, and you’ll likely learn something new about the process.
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Step 5
Make a website for your services. Go to social networking sites, forums or blogs to get the word out. Always have business cards and even CDs on hand. This also means networking with musicians who might play on a recording in the future. It’s not always easy to find an obo player on short notice. Also very important--network with A&R people, managers and publishers so they’ll hire you in the future.
