Difficulty: Moderately Challenging
Things You’ll Need:
- Drums
- Several Microphones
- Recording equipment
Step1
Record in a warm room. Most professional studios have a wood-paneled room for the drums. It creates a warm natural reverb. The room is blocked off from the rest of the studio so there is no bleed-in from other live instruments. In a home setting, experiment with the most optimal place in the room to set up the drums in order to achieve warmth and natural reverb.
Step2
Mic the drums. There should be four mics at the minimum. In advanced settings, every drums and cymbal is miked separately. The most important mics are for the snare and bass drum. There should also be one general room mic held aloft via a boom stand above the set. The bass drum mic should be inside the drum, not behind. A mic placed behind the drum can get very boomy. The other drum mics should be placed two or three inches above the drum head.
Step3
Record on different tracks. In a pro studio, each drum mic might also go to separate tracks—meaning a standard drum set could be on nine or more tracks. This isn’t quite an option if you’re recording on an eight track recorder. In this case, you could use an 8 or 12 channel mixer and plug the mixer into your eight track.
Step4
Whether using a channel mixer or recording on 10 different tracks, spend some time getting the drum sounds right. You’ll want them to sound as good as possible, rather than trying to fix it in the mix.
Step5
Set the gate. Gating can help curb distortion and ambient noise, cleaning up the drum track. It stops bleeding between the different mics, so the cymbals don’t show up on the snare mic, or vice versa. The gate cuts the sound of an instrument after it stops being played.
Step6
Set the reverb—do you want a wet sound like playing in a church, or a dry small-room sound?
Comments
rockinrick said
on 2/23/2008 Thank You for a informative article. I learned something new and it reinforced some other ideas!
tonyrage said
on 6/21/2007 A fun tip I recently learned. If you have two tracks to spare and a couple of nice ribbon microphones, put them behind the drummer pointed right at his kidneys from 5-9 inches away (depends on overall loudness of the drums). This will add to the overall room ambience.