How to Appreciate Opera
In this age of "American Idol," most people know opera-if they know the word at all-as an antiquated staging of musty eighteenth-century melodies, featuring enormous, bosomy divas who strut across the stage and bellow in strange languages before dying flamboyantly in the final act. In the long run, though, you can be sure that opera-which has a nearly 500-year history-will be remembered long after Justin Timberlake has been relegated to dust. Here's a quick guide to sampling this much-neglected art form at an opera house near you.
Instructions
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Find out what you're seeing. In musical terms, the phrase "Hey, guess what! I've just been invited to the opera!" conveys about as much information as "Golly! My friend has just asked me to attend a sporting event!" Specifically, ask the person who invited you what opera you'll be seeing, who wrote it, whether it has any famous melodies or scenes, etc., anything that can give you a firm, non-abstract grip beforehand.
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Do your homework. Okay, let's say you've been invited to see Puccini's "Madama Butterfly." If you go on the web and do some research, you'll find out that a) "Madama Butterfly" was written at the start of the 20th century; b) it's set in Japan, and features an American character, a rarity for the opera of its day; and c) it's the source of at least one tune you're likely to be familiar with, "Un Bel Di" ("One Fine Day.") You'll also discover that "Madama Butterfly" is an accessible, melodic, and hugely popular opera that has been in the worldwide repertory for over a century.
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Sample some music. The reason aficionados attend the same operas over and over is that they're intimately familiar with the music, and thus are in a position to judge how well the orchestra is playing and how well the singers are singing. It's unlikely you'll want to buy a CD of "Madama Butterfly" beforehand, but you should be able to sample some streaming songs on the Web, which will at least let you know what you're in for.
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Dress well-and be patient. Very few operas feature car chases and explosions, so if you're the type who can only sit still through a Jerry Bruckheimer spectactular you may want to reconsider your plans. However, if you have even the attention span of a 12-year-old, you should have no trouble sitting quietly, watching, listening to, and reading the English supertitles of "Madama Butterfly." Remember, the plots of most operas develop very, very slowly-that's what gives them the emotional depth that Andrew Lloyd Webber musicals so sorely lack.
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Keep an open mind. If your first visit to the opera has left you bored silly, bear in mind that operas come in all shapes and sizes-and a fan of Mozart's "The Magic Flute" will be unable to tolerate an atonal opus like Berg's "Wozzeck." It's possible that you may have seen the wrong opera on the wrong day, so don't write off the entire form just because you've had an unpleasant experience. (Hopefully, of course, you'll have had a great experience, in which case a whole new world of bosomy divas awaits your patronage.)
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Comments
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DaositCheetah
Jul 06, 2008
"... a fan of Mozarts The Magic Flute will be unable to tolerate an atonal opus like Bergs Wozzeck." I'm not sure why you make this assumption but I enjoy the music of both of those operas. -
paulo
Dec 14, 2007
This is a very well written article.I am presently in a troubled state, having been asked to join an elitist opera group.My interest is there,but I fear embarrassing the person that recommended me,as well as myself. -
paulo
Dec 14, 2007
This is a very well written article.I am presently in a troubled state, having been asked to join an elitist opera group.My interest is there,but I fear embarrassing the person that recommended me,as well as myself. -
Aug 08, 2006
Opera needn't be expensive. You can often see and hear better from the first balcony than from more expensive seats. Also, there is no reason to fear Wagner! If you enjoyed the "Lord of the Rings" movies, for example, and are open to the sounds of a symphony orchestra, then you will like Wagner's "Ring"! Try "Die Walkure", which includes the famous "Ride of the Valkyries"! -
Nov 22, 2005
Consider reading about the life of a great opera composer. Verdi should be a very good start, Puccini may work as well. Realize how the making of an opera was the result of a complicated process, where everything in the partitas has a meaning and not just text put on a nice melody. Interesting and useful will be also reading about the very beginnings. How the need to imitate human speaking and emotions in the form of simple but effective rhetoric figures, has leaded to a genre such as the madrigal and later opera. Research Monteverdi in this regard.