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Monologues are very fun to perform but have the potential of being dreadful if you slack off on the preparation. Unlike scene work you don't have to worry on relaying on a partner and don't have...
Narrative Voice in Prose for Performance
Prose performance narrative voice should be in your normal speaking tone. Get tips on using narrative voice in prose from a communications and public speaking expert in this free instructional video.
Coloring Words in Prose for Performance
Coloring words in a prose performance emphasizes images being talked about. Learn how to enhance images with words in prose from a communications and public speaking expert in this free...
Overall Prose for Performance Presentation
Overall prose presentation is how well you bring the performance to life. Learn how to connect with the material from a communications and public speaking expert in this free instructional video.
Time Limits in Prose for Performance
Prose performance contests have time limits. Get tips on choosing prose material to fit time restrictions from a communications and public speaking expert in this free instructional video.
Prose for Performance: Facial Expressions
Facial expressions are key to a good prose performance. Learn the importance of using the face in performing prose from a communications and public speaking expert in this free instructional video.
Eye Contact in Prose for Performance
Use eye contact in prose performance to build a relationship with the audience. Learn about the importance of eye contact in prose from a communications and public speaking expert in this free...
Introduction to Prose for Performance
Prose for performance is different than performing with poetry. Learn about the basics of prose from a communications and public speaking expert in this free instructional video.
Having several monologues memorized and performance ready is essential for any aspiring actor. A monologue is a brief exerpt in which a single actor speaks. These performance pieces are the...
This article will help you understand how and where in a monologue to edit in order to shorten a piece for performance or audition.